The Development of Minang Pop Music From the Chain to the Home Village

Ferry  Herdianto; Nofridayati; Yusnelli; Murniati; Rosmegawaty  Tindaon

doi:10.17605/OSF.IO/6MDUW

Ferry Herdianto Indonesian Art Institute (ISI) Padang Panjang, West Sumatra - Indonesia
Nofridayati Indonesian Art Institute (ISI) Padang Panjang, West Sumatra - Indonesia
Yusnelli Indonesian Art Institute (ISI) Padang Panjang, West Sumatra - Indonesia
Murniati Indonesian Art Institute (ISI) Padang Panjang, West Sumatra - Indonesia
Rosmegawaty Tindaon Indonesian Art Institute (ISI) Padang Panjang, West Sumatra - Indonesia

DOI: https://doi.org/10.17605/OSF.IO/6MDUW

Keywords: Music, Pop, Media Industry, Changes in Music Culture

Abstract

The development of Pop Minang music started in overseas areas and then developed into the area of origin. The development of the art of music in Minangkabau, in line with industrial and media developments, has led to the emergence of a new era in Minangkabau music called Modern Minang music. The emergence of Pop Minang music did not start in West Sumatra, but in Jakarta in the 1950s with the presence of the Gumarang Orchestra under the leadership of Asbon Masjid. The Gumarang Orchestra was founded in 1953 by a group of Minang immigrants in Jakarta who incidentally were musicians. The Gumarang Orchestra became famous after the record album Ayam Den Lapeh, sung by Nurseha, hit the market in 1957. In the mid-1970s, the recording business shifted from Jakarta to West Sumatra. In line with this, Minang POP songs began to develop in West Sumatra. This development greatly influenced Minangkabau traditional music universally.

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